Richard Gadd, the Scottish comedian and writer, brings his raw vulnerability to the screen in “Baby Reindeer,” a Netflix miniseries based on his critically acclaimed one-man show. The show tells the chilling true story of Donny Dunn, a struggling comedian whose life takes a dark turn when he meets Martha while bartending.
Donny’s act of kindness to Martha, foregoing her bill for a cup of tea, sparks a suffocating obsession. Martha, played brilliantly by Jessica Gunning, becomes obsessed with Donny, resulting in years of relentless stalking and harassment. But this isn’t the typical stalker story. Instead, it’s a poignant examination of vulnerability, trauma, and the ambiguous distinction between victim and aggressor.
Baby Reindeer is more than just a fictional story. It’s Gadd’s personal experience, and that authenticity permeates every frame. The emails that haunt Donny, which end with “sent from my iPhone,” are chillingly real. Martha is not a one-dimensional villain. She is motivated by vulnerabilities and flaws, making her both terrifying and pitiable. Gunning’s performance is nothing short of spectacular. As Martha’s obsession grows, so does Donny’s self-destructive spiral. The show does not shy away from the grim reality of their intertwined fates.
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The cinematography is spooky and oppressive, conveying the claustrophobia of Donny’s situation. The show’s pace reflects the persistent chase, keeping viewers on edge throughout. Baby Reindeer is a vivid portrayal of psychological suffering. It’s not an easy watch, but it’s vital. Gadd’s exploration of vulnerability and pain is uncompromising, and the genuine tale behind it lends weight to each scene.